Archive for the Lists Category

Game I’ve Played / GotY 2018

Posted in Best / Worst, Blog, Bloodborne, Castlevania, Games, Lists, Metal Gear Solid, Resident Evil, Screenshots on January 12, 2019 by slateman


Usually I split this into two postings, but alas! it’s already 2019. Today’s update will include the games I’ve played over the last year as well as the easy choice as to which was the best. The latter will be detailed on my main Games Of The Year page. I’ll separate all this into individual sections. First – Platinums! Bold words indicate a 2018 title.

Platinums 2018

  • Bloodborne
  • Burly Men At Sea
  • Castlevania: Requiem
  • God Of War
  • Guacamelee! 2
  • Lara Croft Go

Two of the PS4’s greatest exclusive games were conquered this past year. Bloodborne stays with me and I now consider it one of the greatest games ever made. That’s a different list I’ve been mulling over. I’ve written about some of the rest of these already. Moving on…

Older Titles Played in 2018

These will fall into three categories:

  1. First-time plays (not completed)
  2. First-time played/beaten
  3. Beaten again

Here we have a mix. Some are simple PS+ games, others are purchases I never cared to complete, etc. A key for easy reference is listed above.

  • Assassin’s Creed Origins
  • Bloodborne
  • Burly Men At Sea
  • Call Of Duty: WWII
  • Dark Souls III
  • Fe
  • Firewatch
  • God Of War: Chains Of Olympus
  • God Of War: Ghost Of Sparta
  • God Of War: Ascension
  • Grand Theft Auto V
  • Hot Shots Golf: World Invitational
  • Lara Croft Go
  • Lego Marvel Super Heroes 2
  • Matterfall
  • Metal Gear Solid 2
  • Nioh
  • Rayman Legends
  • Resident Evil 4
  • Sherlock Holmes: The Devil’s Daughter
  • Sky Force Anniversary
  • Ys VIII: Lacrimosa Of Dana

Due to Gothenburg’s wonderful library system, I got to borrow some pretty cool titles this past year. I quite enjoyed AC:O – would like to return to it and would also love to try its sequel. Similarly, Nioh seemed cool and I’m still chugging through Sherlock Holmes though it didn’t really inspire me like its predecessor.

Many others I tried and never really felt inspired enough to finish. Dark Souls III was fucking difficult (I later tried DS Remastered and fared better). Matterfall was a huge disappointment, particularly after Nex Machina. After beating the PS3 remasters of the two PSP God Of War games, I figured I’d try out Ascension again. And again I lost interest. Firewatch, Fe, Rayman Legends – all just hit the ‘meh’ button and never beckoned me to return.

On the other hand, a few older titles were memorable. The aforementioned Bloodborne, those two GOW games and finally beating GTAV were some of the highlights of the year. Toss on yet another replay of RE4 and my second playthrough of the underwhelming MGS2 and old titles impressed in 2018.

2018 Titles

Once again we have categories: played, beaten and platinumed, despite the redundancy of that last item.

  • Bloodstained: Curse Of The Moon
  • Burnout Paradise Remastered
  • Castlevania: Requiem
  • Chasm
  • Dark Souls Remastered
  • God Of War
  • Guacamelee! 2
  • Hollow Knight
  • Ikaruga
  • Iconoclasts
  • Just Cause 4
  • Onrush
  • Overcooked 2
  • Red Dead Redemption 2
  • Shadow Of The Tomb Raider (Started in 2019)
  • Spider-Man
  • Spyro The Dragon: Reignited (2019 plat!)
  • Street Fighter 30th Anniversary Collection
  • Yoku’s Island Express (2019 plat!)

I haven’t been nearly as interested in some of these titles as I had hoped I would. I sold back RDR2 b/c I simply has zero interest in playing it. Spider-Man was probably a great game, but I didn’t feel the itch to play that either. I never beat Bloodstained and found Hollow Knight to be far less enjoyable than all the praise suggested. Just Cause 4 looks better than 3, but in so many other ways it felt like a step backwards. I’m not even listing some titles like PS+ games that I played and deleted here.

Burnout Paradise drew me back in just as it did a decade ago, Guacamelee! 2 was a fun and challenging romp but was marred by a few incredibly-difficult parts and I don’t think I’d ever go back to play it again. The first on the other hand…I would. And did! Overcooked 2 was great, but my wife and I devoured it and never touched it again. I’ve just started Yoku’s Island Express and will be finishing up JC4 in the coming weeks/months.

So, what we’re left with is the clear and easy victor. While I thought RDR2 might challenge the mighty Kratos, it didn’t even come close. God Of War’s story, gameplay, visual luster, deep and engaging lore and simple fun factor was leagues beyond anything else I played in the year (Well, Bloodborne may have the edge, I don’t know). I still haven’t a clue how Sony Santa Monica pulled it off. They took this beloved series, reinvented so much of it and made us all care about this one-dimensional killing machine. Being a father while playing it surely helped. This game is fucking legendary already and I look forward to diving in again when things slow down a bit.

Game Of The Year 2018 is an easy choice. God Of War. Now, my New IP GOTY? I don’t know that yet. Based on the limited titles I’ve played, Yoku’s Island Express wins, but that’s temporary. I feel Dead Cells or Celeste might take that crown, however, I haven’t had the opportunity to try them out yet. Let’s see what I missed below.

2018 Titles I Haven’t/Want To Play

  • A Way Out
  • Assassin’s Creed: Odyssey
  • Celeste
  • Darksiders III
  • Dead Cells
  • Detroit: Become Human
  • Divinity: Original Sin 2
  • Far Cry 5
  • Mega Man 11
  • Shadow Of The Colossus
  • Tetris Effect

There are a few games I genuinely want to try out here. Unlike music, it’s not so easy to just try out everything you like and are interested in. A Way Out would be great…with a friend. Odyssey will require many hours, but I bet it’s a blast and quite the quick-and-easy opposite of something like Red Dead. Others on this list are a ‘kinda want to try’.

But the ones I must one day play: Dead Cells and Celeste. Both seem right up my alley and I think I’d just love them. They could be that coveted New IP GOTY. But…they’re a bit expensive for indie titles and I’ve been awaiting a sale to dip my toes in. Can’t wait to try them though!

Sulphur Aeon – OMFG

Posted in Best / Worst, Blog, Lists, Music on December 29, 2018 by slateman

This band’s last effort ranked #5 of 2015 and shocked me entirely at its outrageous heaviness, absurd speed and killer cover. Here I am, at the end of 2018, writing up my best albums of the year and I stumble upon its follow-up. And what have I here? An album that just crushes, easily surpasses its predecessor, whose cover is as nightmarish as the last and which very well could rival even my top-three of 2018. WTF?

The Scythe Of Cosmic Chaos is a grand continuation of the last masterpiece and is so goddamn heavy, it just has to bring a smile to your angry, Lovecraftian face. It’s fast, contains melodic breaks and has impeccable production. With me being so wishy-washy on the three records atop my list, it’s refreshing to have something just knock me on my ass. It may not be #1…but who knows…this album is that fucking good. \m/

Oh – and the full image of the last album…just because it’s so insanely awesome.

Retro-Game Backlog Entry #5: Castlevania: Dracula XX

Posted in Best / Worst, Blog, Castlevania, Games, Lists, Retro Games on November 10, 2018 by slateman

After Castlevania III, I must’ve just stopped playing the series. I appear to have missed everything up until Symphony Of The Night in 1997. It makes sense; I had no SNES or Genesis and college meant poverty for most. So, as I address this backlog, these titles feel very new, despite their age. Now, I tinkered with some of them, Super Castlevania IV most notably, but I most certainly never beat them and with Dracula XX (not Rondo Of Blood, the SNES sequel to it), I never would have had the patience to complete it without emulation!

However, going back to the start…Dracula XX was Konami’s attempt to bring the legendary Rondo to the SNES without severely downscaling it. Instead, they made an entirely-different but kinda-the-same game. In every aspect it’s inferior. What we got was a noble attempt. Several of the key elements were recreated here and it rewarded exploration with a pair of bonus stages and girls to rescue. Unfortunately, since those same features were on the Turbo CD game, it’s impossible not to compare.

Richter returns and the fantastic hero traipses throughout familiar stages replete with beautiful fiery and watery effects. They look impressive but the design of those same stages is really quite weak. It was a product of its time; every jump was situated with a particularly-placed enemy crafted with the sole purpose of instilling frustration. Death comes from everywhere, jumps, floating heads, annoying enemies – it can be grueling. The foes are the customary ones, with many a true challenge. Saving the two girls is a must for the good endings, but even those were far too brief.


The game’s music, on the other hand, doesn’t let down. Well, it’s not that any game in the series at that time did. The familiar tunes don’t have quite the same punch as Bloodlines’ tracks did, but that’s no worry. I found myself muting everything else or turning up the volume as I played with headphones just because of the soundtrack. They rarely disappoint.

And then we have Dracula himself. After a rather easy battle in the original Dracula X, Konami decided to concoct the bullshittiest final boss I think I’ve ever encountered. The walk up to the tower was impressive, before a glowing moon, but the rest of it was memorable for all the wrong reasons. He had two forms: the first similar to what we all know and a second beast form where he flies above. However, the whole battle takes place on columns and the screen is wide. Therefore, you don’t have access to attack many times and in the time-honored tradition, a hit bounces you back – oftentimes to your death! Oh, it’s just so much fun, particularly when you manage to get to the final form and die by one misplaced jump. It’s fucking brutal and I would’ve been so pissed had I purchased this thing back in the day. You will die. Over and over. And not in any fair fashion. I’m getting angry just thinking about it and it marks one of those many gaming quotes, “I’m never going to do that again in my life.”

That final battle mars what is otherwise an OK game. It’s frustrating but looks good and sounds great. This title isn’t fondly remembered, understandably so. However, I’ll take Richter over those Bloodlines heroes any day. Another day, another retro game completed. I’m thinking I’ll hit up Super Castlevania IV next. I never loved that one, but most people do. See how it goes!


Retro-Game Backlog Entry #4: Castlevania: Bloodlines

Posted in Best / Worst, Blog, Castlevania, Games, Lists, Retro Games on November 1, 2018 by slateman

Having proclaimed my love for Castlevania already, one might expect for me to have played virtually every entry. However, it is not the case. Of course, I have gone through a vast majority of the series, but a handful eluded my gaze over the past three decades. One such title is the Genesis game Castlevania: Bloodlines.

I never owned the hardware and during the mid-90s, I avoided Castlevania entirely. In fact, it was only many years later that I got around to Super Castlevania IV. In any event, let’s address the best part of this game first: the music. The series is known for its hummable tunes and this game shows them off in spades. Familiar melodies return, but virtually every portion of the game’s audio shines and it stands as the title’s highlight, hands down.

Nothing else about this game stood out quite as much. The modern environments really didn’t work for me and were in direct contrast to the moody locales in every other Castlevania title. Some bosses and game effects just felt like excuses to show off the system’s tech. In a later level your screen is torn in half or you’re mirrored above the stage. Enemies flail about displaying interesting 3D effects but none were truly interesting themselves. Machine foes, reflecting patterns and fancy displays seemed more important than good level-design choices or enemy choices. I didn’t particularly enjoy big chunks of the game. This was compounded by the ending.

As with many other games of the time, the ending ramps up the difficulty substantially. I’m not a fan of boss-rush modes and the game’s finale is just nonsense. First you face Death who looks as bad-ass as usual. He dishes out these cards and whichever one you hit dictates who you fight: any of the bosses from stages 2-5. While they are random, you have to defeat all four. One of the cards is a screenful of meat. Hopefully you didn’t get that one first! So, after beating four bosses, you square off against Death who isn’t particularly difficult. OK! Now for Dracula, right? Nope…you head up another set of stairs and find a woman who summons a Medusa-like creature before you fight the woman herself. She’s rather easy once you’ve got the pattern down, fortunately.

And NOW you fight Dracula – assuming the stage – boss rush – death – medusa – chick boss combo didn’t kill you. Now you get a classic three-form Dracula battle before an atrociously-underwhelming finale boots you back to the beginning urging you to beat it on expert mode.

Beyond the music, there were certainly perks. Some of the effects were more than simply flash, and I’m sure at the time it was all really quite impressive. Large enemies and bright colors added a beautiful visual flair and newcomer Eric Lecarde changed how the game was played – with different paths for him and for John Morris. These all added up to a unique experience and one that is quite interesting in the series’ universe.

Ultimately though, while the game has a fair share of perks and good replay value, I will probably never return to this game. That soundtrack, however, will get some new spins as there is some truly phenomenal music. Beyond the killer tunes though, there’s not enough to beckon me back. I’ll stick with the classics of the series instead – spoken after 200.6%ed Symphony Of The Night and purchased Castlevania Requiem.


Retro-Game Backlog Entry #3: Ninja Spirit

Posted in Best / Worst, Blog, Games, Lists, Retro Games on September 23, 2018 by slateman

Irem’s 1988 title Ninja Spirit is reportedly the first TurboGrafx-16 title to receive a perfect 10 from EGM upon its release in 1988. My memories of this game are fond: the high-leaping ninja, his mirror clones and, of course, that first boss. Returning to this game was a mostly-positive experience marred, once again, by the inordinate difficulty spike common for games of the time.

The game’s familiar intro begins with our hero’s father being killed by an unspecified green glob attack. Moonlight, the protagonist who strangely is a wolf, begins his quest for vengeance. The game’s presentation is highly stylized and entirely over-the-top. Equipped with several possible weapons, my playthroughs often stuck with the standard sword, despite its weakness in several cases. Having up to two mirror images of yourself plus shadowy sword trails make for a memorable introduction. Ninja enemies spawn from everywhere, throwing daggers and filling the screen with impressive sprites. As you get accustomed to the incredibly-floaty physics, the first stage’s boss appears, an utterly-massive, six-armed demon. He is by no means difficult, but virtually anyone who has played this game recalls his striking appearance. I’d imagine this was the biggest boss for any game at the time, 30 years ago.

The relative simplicity of the first stage is forgiving, particularly on the TurboGrafx mode which allows several hits from minor characters before death. The arcade original did not have this and as the game progresses, most non-croney enemies will still result in a one-hit death. Using your clones to block and attack while you remain safe at a distance is a great method, but certain foes take an awful lot of hits. As stages progress, memorization is your ally – these guys get difficult! The vertical stage is reminiscent of Contra and the bosses never get as surprising as stage 1, at least until the end. More on that in a minute.

The music isn’t far from what you’d expect from a 1988 title. It is dark and mysterious, entirely fitting for a shadowy ninja game. The tracks aren’t entirely memorable, but they suit the title perfectly. I suppose, in retrospect, I never quite found a better ninja title in my gaming days. I never got into Ninja Gaiden (outside the original and brutal trilogy in the ’80s) and need to return to Nioh, which was rather good. We’ll see if Sekiro can trump this upon its release next spring. I digress.

Running along the ceilings in later stages and battling baton-wielding toads all gets very rigorous. The screen is littered with enemies and flying attacks making survival without powered-up weapons a chore. Though enemies carrying those perks are numerous, sometimes getting to them is suicide – perhaps a good risk-versus-reward balance.

Honestly, WTF?

But then after you’ve survived the last levels of memorization and mania, you’re ready to descend the pit towards the final boss. As difficulty goes in games, this is just stupid. The aforementioned pit is literred with flying ninjas, swords held high. You jump into said chasm blindly and one hit from any of these hundreds of foes will end you. Descending through these guys is quite literally the definition of memorization because after a few lost lives, you’re forced to repeat the entirety of the fifth stage. And by that, you’re just running as fast as you can to avoid ninjas that take multiple hits but who can kill you in one and these deadly puffs of gas that don’t seem to affect aforementioned super-powered ninjas. Yes, memorize this pattern because after the run-away technique and the memorize this one-hit-death pit of stupidity, you reach the boss. This guy’s green snaky attacks are what killed your father – though we never really learn why. My method here was to throw shurikens and run away like my own life depended on it. The unnamed boss doesn’t move, fortunately, but after all these sequences of precision and stress, that’s good. It’s OK if you die to him, you can redo that ‘falling in a pit of flying fucking ninjas’ all over again!

The credits sequence has cool half-screen images of all seven bosses with their chapter names written in elegant Chinese. You’re then presented with some semblance of a story, about you having saved the day, but it doesn’t matter, evil will just return. Inspirational! Now go back and play it on arcade mode!

Final Verdict
I’d play Ninja Spirit again. But I don’t know if I would care to try beating it again. To be fair, the hour-long experience fit right in for the time. Had you purchased a $50 game and beat it in one sitting, you would be disappointed. The 25-hour experiences of today were virtually unheard of back then and this was an arcade port, remember! However, while the setting, ambience and feel are familiar and wonderful, the rigor of the end-game makes it difficult to appreciate nowadays. I’m wholeheartedly glad to have returned if only for the sheer glee of revisiting that first stage. There’s a nice sound test where you can listen to all the music and there are also curious messages unlocked by a code – good for a laugh, I suppose. Much like the prior entries into this retro-gaming list, the first levels of this game are a lot of fun and worth a try. I’m glad I’m embarking on this journey. I’m thinking Gunstar Heroes next.

Retro-Game Backlog Entry #2: Super Air Zonk

Posted in Best / Worst, Blog, Games, Lists, Retro Games on September 23, 2018 by slateman

While my memory of the two Air Zonk games is hazy, I had high hopes for the CD-based sequel. Issued in 1993, it turns out I likely never played this one and that’s a good thing. While there are a few improvements in the Super follow-up, it’s not not quite as good or as fun as the original. Had this been my introduction, I might not look back so fondly on the game series.

On the plus side, the ludicrous difficulty of the first game is not at all matched here. The game’s music, now Red Book, of course sounds a lot better but that does not make it more memorable. I found myself irritated by most of the music in the first four selectable stages. After choosing those four, you’re presented with three more that you must go through sequentially. Those levels had much better music, worth turning the volume up for. Unfortunately, some of the game’s tinnier sound effects, like when your weapons are powered up, cut through everything making you reduce that volume rather quickly. It turns out the Japanese version featured lyrics with certain songs, something I don’t feel I missed out on. Though, I still find the Japanese name for the game/series hilarious (PC Genjin or CD Denjin in this case).

While the audio quality itself is superior, it’s hard to say much else is. Controls and the buddy system have changed a bit, but the most underwhelming thing must be the visuals. Landing a year later than the original Air Zonk, it was fair to expect bigger and better and more of everything good. But the visuals first and foremost disappoint. Those glorious 16-Bit (*cough*) graphics with the multi-layered parallax scrolling feel watered down and the stages just didn’t have the same vibrancy. In fact, Super Air Zonk doesn’t feature that same parallax which is surprising and disappointing. Stages end up looking flat despite the colorful palette. This is certainly attributed to a different developer taking the helm: the typically-consistent Hudson Soft in this case.

As for the gameplay itself, the developers clearly took inspiration from R-Type. The third level has you moving around a pre-set path which sometimes leaves you stuck at certain points or paused waiting for the stage to progress. Other portions of levels are just entirely barren, an inexplicable issue in a game like this. Initial stages also have hidden sections which are rewarding for replays, but most of the design choices felt like a step backwards. Instead of that ‘bigger and better‘ sensation you want, a lot was ‘as good or worse‘. The power-ups changed this time around, they too take inspiration from R-Type, but the result was by no means better. You could separate from your mid-stage buddy, assuming you managed to collect and save him, or have the buddy attach to you. Each had a different firing configuration, much like in Irem’s legendary shooter. However, the diversity of weapons wasn’t as interesting or as useful. A few are entirely overpowered and you better not lose them if you get them. The game is quite tough with standard weapons and these huge screen-filling attacks were perfect for when enemies surrounded you from all sides.

The eased-up difficulty of the final stages was a positive change, though some felt it was too easy. The final boss, for instance, was a
straightforward sequence of repetition, requiring no real skill outside the standard dodge-and-weave of the four forms of Emperor Sandrovich . It was, therefore, asubstantial improvement from the bullshit demands of the first entry. However, the boss rush on stage 6 was right up there with the bullshittiest moments in gaming. The ending baddie summons the bosses from the first levels of the title, one at a time. However, if you can’t beat that boss fast enough, the next arrives, and the next (presumably – you’d likely be dead by then). But don’t rest up yet…after defeating the 1-2-3-4 punch, the boss summons those assholes two more times. It’s nonsense, the bullet sponges just returning dishing out incessant attacks and you have to restart the entire stage if you falter. Oh yes, this was a save-state game and I feel no remorse for playing it as such. Now, perhaps if I shelled out hundreds or thousands of dollars I’d care. But I fortunately did not.

Final Verdict
I was disappointed by Super Air Zonk. Outside of improved audio, which couldn’t always be appreciated, it offered very few benefits that could stand toe-to-toe with its superior predecessor. It was a fun romp for the most part, with the first two stages being entertaining and the last few having memorable tunes. However, those perks felt few and far between and were I to revisit the series, it would most certainly be to play the first game, not the second. Weaker visuals, no parallax scrolling and level design curiosities make this an unmemorable sequel. If curious, try the Japanese game, at least it has piles of poop when you launch a super attack. That and a second-hand copy sells for 1/30th of the price. I’m serious. Look it up.


Retro-Game Backlog Attack

Posted in Best / Worst, Blog, Castlevania, Games, Lists, Retro Games on September 21, 2018 by slateman

As I age, it becomes increasingly difficult to be surprised or impressed. So many themes in gaming, TV shows or films have a ‘been there, done that’ feel to them. That’s not always bad = more of the same is oftentimes familiar comfort food that suits a specific purpose or need in life.

And while the prior paragraph may sound cynical and bitter, it’s by no means the full story. Just this year I played through Bloodborne and God Of War, both perfect 10s and Game of the Year candidates for their respective years.

However, while AAA games may be formulaic, they are also expensive and here in Sweden, that’s doubly true. Everything is expensive here! So, what to do to get my fix of awesomeness? Well, now that you mention it, the answer is something I’ve been thinking of doing this for quite some time…

Today I’m uploading a list of older games I’d like to tackle. Most will be my initial playthroughs as these titles are some that, for one reason or another, eluded my gaming gaze over the past few decades. Some, however, are ones I’ve desired to revisit – those are noted with an asterisk. With some modified hardware and trusty emulators in my grasp, here is a list of a dozen or so games I endeavor to tackle over the next few months. If all goes well, I’ll share my post-game thoughts after each accomplishment. OK, let’s get to it!

PC Engine

  • Air Zonk
  • Ninja Spirit *

Turbo CD

  • Gate Of Thunder
  • Lords Of Thunder
  • Super Air Zonk

Playstation

  • Einhander *
  • R-Type Delta

Genesis

  • Castlevania: Bloodlines
  • Contra: Hard Corps
  • Gunstar Heroes

Super NES

  • Castlevania: Dracula X
  • R-Type III
  • Super Castlevania IV *

Nintendo64

  • Mischief Makers *

What To Play: 2018-2019 Edition

Posted in Best / Worst, Blog, Games, Lists, Resident Evil with tags , on June 15, 2018 by slateman

As E3 rolled out the new and exciting, it’s hard not to truly get pumped up by something. There are some enormous titles a’coming – and many of them are not so far off. Sony’s Resident Evil 2 reveal gave us our first glimpse of the game in action as well as a release date merely seven months later.

Today I’d like to go through some upcoming release dates alongside my excitement level. Three stars = must buy, pretty much. As always, this is more of a personal checklist, but now that it’s written up, there’s some good shit on here!!! Let’s go!

07 Aug – Dead Cells ***
07 Aug – Overcooked 2 ***
21 Aug – Guacamelee 2! ***
31 Aug – Divinity: Original Sin 2 *
14 Sep – Shadow Of The Tomb Raider *
26 Oct – Red Dead Redemption 2 ***
13 Nov – Spyro: Reignited Trilogy **
04 Dec – Just Cause 4 ***
31 Dec – Mega Man 11 **

2019
25 Jan – Resident Evil 2 ***
29 Jan – Kingdom Hearts III **
22 Mar – Sekiro: Shadows Die Twice ***
?? ??? – Bloodstained: Ritual Of The Night***
?? ??? – The Last Of Us – Part 2*

Platinum #25 – Ranking The Hardest

Posted in Best / Worst, Bloodborne, Games, Lists on March 4, 2018 by slateman

I succeeded in getting my 25th platinum trophy this morning: the brutal Bloodborne, a game I formerly abandoned, deeming it way too difficult. But after returning, I discovered just what a brilliant masterpiece it truly was. The lore, the visuals, the gameplay: utter remarkable. And getting that platinum required some serious time and dedication. But was it the hardest of all my platinums?

25 is an impressive number, I might say, and I can genuinely recall getting each and every one of them. However, with two being My Name Is Mayo, suffice to say they were not all significantly difficult. I thought I’d run through them all looking at which was the most grueling. To start, here are the 25 in alphabetical order.

  1. Bloodborne
  2. Borderlands
  3. Color Guardians
  4. Far Cry Primal
  5. Guacamelee!
  6. Horizon: Zero Dawn
  7. Lego: The Hobbit
  8. Lego: The Lord Of The Rings
  9. Lego: Marvel Super Heroes
  10. Lego: Pirates Of The Caribbean
  11. My Name Is Mayo (PS4 & Vita)
  12. Resident Evil 5
  13. Resogun
  14. Rocket League
  15. Tales From The Borderlands
  16. Tony Hawk’s Pro Skater HD
  17. Uncharted
  18. Uncharted 2
  19. Uncharted 3
  20. Uncharted 4
  21. Uncharted: The Lost Legacy
  22. Walking Dead, The: Season One
  23. Zero Escape: Virtue’s Last Reward
  24. Zero Time Dilemma

The easiest would clearly be the absurd game about hitting a mayo jar. Next to that would be both the Telltale games: The Walking Dead and Borderlands as simply beating the game rewarded me with the plat. Similarly, the two Zero Nonary Games platinums benefited from some guide help, but neither required any actual dexterity.

Most of the Lego games are rather straightforward. Though some had challenging sections, they reside low on this list. Now we’ve covered 10 of the 25. The open-world games like Horizon and Far Cry Primal were both fun checklists of tasks. Rocket League was similar – not difficult, just time consuming and it was made easier when they changed the requirements for one of the trophies. THPSHD was a tough one, as I got stuck on that final trophy for years. Four-and-a-half to be specific. But a glitch (Robomodo + glitch = surprise!?!) allowed me to achieve it with utter ease. Color Guardians had some really tough segments but glitches worked against me here: I had to re-do entire stages, acing them repeatedly to get the trophy to pop. Live by the glitch and die by the glitch!

Now at 15, we have 10 left and things are getting a bit more difficult. Half of those are Uncharted games and not all were particularly challenging. The latest one had so many save points and auto-locking whereas the first had three specific, crushing sections on the highest difficulty. Oh what a nightmare those were!

Guacamelee! required some major start-over sections – repeatedly dying and retrying and dying again. Resident Evil 5’s professional difficulty was particularly trying. However, doing so in co-op really alleviated the challenge. That stupid troll segment was just annoying as hell though and almost made me quit that attempt.

Now I’m left with Bloodborne, Resogun and Borderlands. The latter took me over two years to finish, but with some high-level friends, it wasn’t all too brutal. Resogun was a solid challenge and the PSN says only 3.1% of players actually platinumed it. Bloodborne on the other hand shows 7.3%, a surprisingly-high figure. Now that we’re tossing figures out, Uncharted 3 and 4 are listed at 1.3% and 0.8% – Wat? o_0 Anyhow, back to things, while Resogun was indeed a chore, it was manageable in short spurts. Bloodborne on the other hand was an incessant trial of repetition, memorization and perfection.

The boss fights were maniacal: Blood-Starved Beast, Martyr Logarius, Rom the Annoying-As-Shit Spider, that Watchdog Of The Old Lords and that damn Pthumerian Descendant…the list goes on. That whole Defiled Chalice Dungeon (aka the ‘you inexplicably have only 50% of your normal health, good luck!’ dungeon) was brutal. Then I had to fight Rom again. And Blood-Starved Beast. Holy shit, some of these guys I was stuck on for days. I genuinely disliked myself during those days.

So, higher percentage or not, (PSNProfiles shows 23.8% got this platinum) I don’t care. This was a marathon trophy that beat me down repeatedly and this doesn’t mention just how bloody hard those opening hours were. And by hours, I really mean like 30 minutes, because I died 47 times just learning how the game worked. Brutal, I tell you! And so after looking at its two dozen platinum competitors, I really have no qualm in claiming that Bloodborne was my hardest platinum. It was my most rewarding and in some ways the most fun. It wasn’t without issues, of course, but they were worth overcoming to achieve the pinnacle of Playstation gaming.

Oh, and I tossed up some BB images from the latter parts of the game, for anyone interested.

Game Of The Year 2017

Posted in Best / Worst, Games, Lists, Metal Gear Solid, Resident Evil, Uncharted on January 1, 2018 by slateman

A few months ago I listed the games I’d beaten in 2017 but of course, not all of them were actually from last year. In fact, a majority of them weren’t. While my trophy list shows a varied year with a fair share of games, very few were 2017 titles. Here is the brief list of games I played last year:

  • Horizon Zero Dawn
  • Final Fantasy XII: The Zodiac Age
  • Marvel Vs. Capcom Infinite
  • Nex Machina
  • Nier Automata
  • Resident Evil 7: Biohazard
  • Tekken 7
  • Uncharted: Lost Legacy

Now, it’s easy to whittle down some items. Neither fighting game will win, Nier Automata didn’t convince me in the few hours I played it so far and FFXII is a decade-old remake. That doesn’t leave much else. Oh, Nex Machina was fun, but by no means was it the year’s best.

So we’re down to Horizon Zero Dawn, RE7 and UC. The latter was fun that trimmed a lot of excess out, but UC4 won GotY in 2016.

Horizon Zero Dawn already not once, but twice. The open-world, third-person genre may be overdone, but I’m rather selective in the games I end up playing. Therefore, I’ve skipped out on a lot. In any event, the entire game was a remarkable experience. Its deep gameplay, gorgeous world and genuinely-interesting story kept me intrigued and curious up until the very end. Aloy was well-written and likable and the support cast was fun. I loved getting this game’s platinum trophy.

However, Resident Evil VII: Biohazard was an insane experience. Its claustrophobic first-person view created a tension unrivaled in most games. The entire Mia introduction was insane, gloriously unsettling and most-importantly, memorable. It joins my other favorite moments in gaming and my review began simply with my repeated sentiment, “This is terrifying.” None of the game’s follow-up DLC really compelled me to return and beating Mia is the only thing between me and the game’s platinum trophy, but that’s OK. RE7’s experience was a worthy follow-up to the series’ legacy while not suffering from that loyalty to its history. The game was a phenomenal addition to the convoluted canon and represents my 2017 Game Of The Year.

It’s worth noting in my full listing that Horizon Zero Dawn still received the New IP GotY recognition.

It’s also worthy of mention the games I missed in 2017. Chief among them is Super Mario Odyssey which, according to reviews, looks like it’s right up my alley. I may have to come back to remedy this list at some date in the future. It may be a few years though.

Finally…2018. Here’s a list of potential GotY winners based on hype alone. I’ll put them in order too of potential best-to-worst, with no basis whatsoever. Wow…there are some good games coming up!!!!!

  • God Of War?
  • Red Dead Redemption 2?
  • Ghost Of Tsushima?
  • The Last Of Us: Part 2?
  • Days Gone?
  • Far Cry 5?
  • Metal Gear Survive?
  • Crackdown 3? (Haha, we all know that’ll never come out)
  • Darksiders III?