{"id":394,"date":"2012-04-14T02:11:17","date_gmt":"2012-04-14T02:11:17","guid":{"rendered":"https:\/\/slateman.net\/blog\/?p=394"},"modified":"2012-04-14T02:11:18","modified_gmt":"2012-04-14T02:11:18","slug":"mini-review-jk-flesh-posthuman-i-like","status":"publish","type":"post","link":"https:\/\/slateman.net\/blog\/archives\/394","title":{"rendered":"Mini-Review: JK Flesh &#8211; Posthuman &#8211; I Like!"},"content":{"rendered":"<p><div id=\"attachment_395\" style=\"width: 160px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/slateman.net\/blog\/wp-content\/uploads\/2012\/04\/jkb-posthuman_big.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-395\" src=\"https:\/\/slateman.net\/blog\/wp-content\/uploads\/2012\/04\/jkb-posthuman_big-150x150.jpg\" alt=\"\" title=\"jkb-posthuman_big\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-395\" srcset=\"https:\/\/slateman.net\/blog\/wp-content\/uploads\/2012\/04\/jkb-posthuman_big-150x150.jpg 150w, https:\/\/slateman.net\/blog\/wp-content\/uploads\/2012\/04\/jkb-posthuman_big-300x300.jpg 300w, https:\/\/slateman.net\/blog\/wp-content\/uploads\/2012\/04\/jkb-posthuman_big-1024x1024.jpg 1024w, https:\/\/slateman.net\/blog\/wp-content\/uploads\/2012\/04\/jkb-posthuman_big.jpg 1500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><p id=\"caption-attachment-395\" class=\"wp-caption-text\">Posthuman<\/p><\/div><b>JK Flesh<\/b> &#8211; Posthuman<\/p>\n<p>I remember the day <b>Pure<\/b> came out back in April of 1992 and my fascination only grew from there.  Through the two decades since, I&#8217;ve covered so many diverse projects on this site.  If you&#8217;re reading this, I probably don&#8217;t need to list them.  As I tore into the package containing Justin&#8217;s first solo record, it hit me; I have no clue what I expect this album to be like.  Most of us know expectation is everything and can make or break any experience.  Unsurprisingly, <b>Posthuman<\/b> didn&#8217;t fit my expectation.  <\/p>\n<p>I think I was expecting to be crushed.  I was not.  Perhaps I looked for the sequel to beautiful and haunting <a href=\"\/projects\/jkb\/#sbl\">Skinner&#8217;s Black Laboratories<\/a> tracks.  This is nothing like that at all either. As the first tracks passed, I was greeted with so many familiar sounds.  The noise-laden guitars from <b>Grey Machine<\/b>.  Loud interludes a la early\/mid-<b>Techno Animal<\/b>.  D&#038;B from the highly-prolific late-90s.  There&#8217;s clearly <b>Godflesh<\/b> in here.  But none of it sounds generic or redundant.  <\/p>\n<p>What we have here is pure Justin Broadrick and any fan of his varied catalog should recognize this instantly.  The mostly-instrumental record truly covers his sprawling career by combining so many familiar sounds.  When his voice is used, it is precisely what you expected it to be. <\/p>\n<p>As mentioned earlier, it is not a crushing album; I think Justin is saving that for the impending <b>Godflesh<\/b> LP.  It is also not very melodic, as we have that already in some <b>Final<\/b> material and a lot of what <b>Jesu<\/b> has turned out to be.  There are some small but very unique portions of this album that expand on what Justin can do, but let&#8217;s face it, no one ever really thought there was a barrier.  Any fan who stuck around through the <b>Streetcleaner &#8211; Slavestate &#8211; Pure &#8211; Selfless<\/b> years knows better.  And however varied I&#8217;m making this sound, <b>Posthuman<\/b> is indeed one vision, one LP.  It sounds so much like what you know but yet modern and new.  It is not Justin&#8217;s best work, but then again, very few of us can agree on even a top-five list anyway.  <\/p>\n<p>This is a heavy record.  It is noisy and it is powerful.  It is dark and moody.  Essentially it is why I gained interest in JKB more than 20 years ago and why I continue still.<\/p>\n<p>[written for <a href=\"http:\/\/www.godflesh.com\/\">Crumbling Flesh<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JK Flesh &#8211; Posthuman I remember the day Pure came out back in April of 1992 and my fascination only grew from there. Through the two decades since, I&#8217;ve covered so many diverse projects on this site. If you&#8217;re reading this, I probably don&#8217;t need to list them. As I tore into the package containing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,13,28],"tags":[],"class_list":["post-394","post","type-post","status-publish","format-standard","hentry","category-godflesh","category-music","category-reviews"],"_links":{"self":[{"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/posts\/394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/comments?post=394"}],"version-history":[{"count":2,"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/posts\/394\/revisions"}],"predecessor-version":[{"id":397,"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/posts\/394\/revisions\/397"}],"wp:attachment":[{"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/media?parent=394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/categories?post=394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/slateman.net\/blog\/wp-json\/wp\/v2\/tags?post=394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}