Is Varjoina Kuljemme Kuolleiden Maassa The Best Album In A Decade?
That’s not a dramatic header there. I’m serious. The more I listen; the better it gets. Moonsorrow’s masterpiece is a perfect album. OK, the three 90-second interludes are useless, but they bridge the awesomeness in a
necessary way. The four remaining 13-minute-average epics are possible the best four songs in years. The
complete tale from beginning to end is a vast journey, perfectly completing a cycle of metallic excellence.
It’s funny. Barring the hypnotic acoustic intro of Huuto, I can’t hum to you any one specific riff, memorable interlude or catchy progression. The songs go one for so long; what makes them so good?
Moonsorrow’s powerful blend of keyboards, sheer heaviness and crushing vocals lead from one tune to the next, not faltering, not offering a throwaway segment. As a musical fanatic, I memorize band member names, song titles, years, everything but lyrics. On Varjoina Kuljemme Kuolleiden Maassa I know none of it. Even as a linguist who revels in etymology, language change and meaning – I don’t care. I just want to turn this up and play it again.
This album is just about everything I love about metal. I almost have nothing to write about it – but yet it’s the greatest shit in the world. It very well could be the best album of this millennium.