slateblog

Another EP from the kings of EPs. I recall a time when they had 2 LPs and 3 EPs and it was all downhill after that – in a sense. I recall The Angel And The Dark River and it took them a few years (and one interesting experiment) to get back to excellence. And since 1999, it’s been pretty consistent. The Dreadful Hours may be my favorite, Songs Of Light… not so good. A Line Of Deathless Kings came out in 2006 and since then, while solid, I haven’t been blown away. I like the stuff, but am not wowed and don’t tend to play any of the records/EPs/singles. I definitely liked the orchestral record and The Barghest O’Whitby is an excellent if not tough listen due to its length.

That long intro leads us to this four-song, half-hour offering that is both perfect in its duration and its quality. This stuff is fantastic, culling the best riffs and mood MDB has to offer from their vast catalog of sounds. From Var Gud Over Er‘s classic death growls to the chilling mood of the outro (Only Tears To Replace Her With), this EP is just about perfect. It’s got everything that the band does well. If that is considered playing it safe, then I hope for another LP of familiar safety. And in only one day of listening (four songs, remember), it’s up there with Amorphis’ Circle as the best of the year. Everything I love about MDB is right here. A+!!!

I truly believe all reviews should come with a disclaimer. What’s your background with this? Can you review the Star Wars prequels if you never saw the original trilogy? Sure…but your opinion suddenly doesn’t matter to, well, anyone. The new Amorphis is great. Why? Well, the brief intro: A friend gave me Thousand Lakes in 1994 and the band has never trumped it. I hated Elegy at first but stuck with the band through several weak albums before they stormed back with Eclipse. Since then, some are great (Skyforger) and others less so (Silent Waters). There. Now, you have an understanding of my approach to this record. It’s important because like many others, Tales will always remain the pinnacle. But of course, I can’t compare this to that epic. How does this album stand on its own?

After listening to the new October Tide, I found myself bored. Nothing caught me at all, nothing stayed with me after I left the car. When I stepped out of my lovely mini-van to run into the store, I found myself humming several riffs, vocal melodies, drum beats. Yes! That’s what you want! Circle blends the trademark Amorphis sound with spectacular production and has that requisite balance of familiar yet new. Tomi’s vocals are as strong as ever, matching the best clean vocals of the band’s career with that growl that blows away all others. While the death vocals aren’t used too often, they are placed well. Guitars sound crisp and clear, keyboards fit perfectly and the rhythm section fulfills its purpose with a great bass sound and a few well-timed double-bass sections.

This was one of those records that was ‘pretty good’ the first time, but each subsequent listen drew me in more. So many harmonies, riffs and vocal lines were left on my brain minutes even hours after pressing pause. The pattern of Good (Eclipse) – OK – Great – OK is followed by fucking awesome on Circle. With Kalmah coming, I won’t lock this one in, but four months in, it’s by far the album of the year so far. Now to put it on again. LOUD.

I really wanted to like both of these albums but I just can’t get into them. Moving backwards in time, the newest October Tide was highly anticipated as I’m a huge fan of the original records as well as the newest incarnation of the band. Those first two albums were awesome, filling the gap left by Katatonia’s departure from doom metal. The rebirth was heavy as shit and catchy. This new one is…well, it’s heavy. Track 2 has a super catchy portion in the middle. I generally can’t recall anything else from any other track. It’s true and unfortunate. It’s so mediocre I don’t know what else to write. Is it bad? No. It’s…just…boring.

Oh Soilwork. This isn’t too different from October Tide, really. We’ll just substitute those albums in the middle (anything after Predator’s) for OT’s absence. Then, we had The Panic Broadcast which I thought was incredible. Their new, double-disc effort sounds awesome. It is HEAVY, the mix, the drums, guitars, vocals all sound great. The problem is that I can’t listen to it. Some songs are good. The first track starts out great. However, it all falls into the formulaic problem that plagued everything after A Predator’s Portrait. I remember that album coming out and knowing right then and there that the band was done. You could tell the next album would be all about the hook. The catchy riff that led to the obligatory clean vocal chorus. Here we are again, and some of these chorus parts are unlistenable. They’re cheesy. I can’t do it.

As for the double disc portion, that I can handle. I realize that lots of times a double album means filler. It might not be the case here, but I have a hard time getting through even a few songs. It would be great to enjoy this record, but it suffers from what plagued all those ‘middle’ albums. The planned riff-chorus formula. Meh.