slateblog

In case you were wondering, the verdict is in: Moonsorrow is the greatest band to ever grace the earth.

If you weren’t wondering, then you either a) knew this to be true or b) are deluded into some nonsense.

After I proclaimed 2011’s Varjoina Kuljemme Kuolleiden Maasa potentially the best album in a decade and Jumalten Aika the undisputed AotY of 2016, you’d think I’d have gone back through their catalog. You’d imagine I’d relish in their past successes as well! But no…I had yet to do that. The lengthy opuses were difficult to catch my interest. They were hardly passive listening experiences and so I never dedicated enough time to them.

Until now.

For some reason, with ample time on my hands (I guess I’m an author now), I decided to work in reverse. V: Hävitetty contains two half-hour songs. These are not easily digestible or easy to appreciate. However, once that appreciation arrives, it is enriching. The ebb and flow of an album like this spans both the obvious time as well as space. Its highs and lows are matched by shrieks and gentleness. Its grandeur – a word that can be attributed to every piece in this band’s catalog – can be reduced to the simple term: epic. This is massive and triumphant and remarkable. The only downside is that I’ve utilized all the superlative words in the English language before even moving on to the next record.

2005’s Verisäkeet contains four lengthy oeuvres and an outro. Each of those four songs has its own unique identity and since they three of them clock in at 14 minutes (the final at 19), they have enough breathing room to expand and explore. The third track, Pimea may be the album’s best and stands among the band’s greatest works and its outro is hum-worthy for weeks.

Kivenkantaja may be my least favorite LP so far, with very broad strokes, but less uniform vision. It is the only record that I might pick apart and listen to one song more than another. This album houses Raunioilla with the amazing choir voice of Janne Perttilä.

The band’s second LP, Voimasta Ja Kunniasta, was one I started later on. My initial spins were only appreciated at a low level, with the last few songs garnering the most attention. However, very shortly later did that appreciation grow to recognize this as yet another masterpiece by the band. From its folk-inspired intro to the tremendous Sankaritarina, there’s not a bad second on this album, despite being so early in the band’s catalogue. The finale is still a staple of the band’s live shows, and for good reason.

I have yet to really dive into Suden Uni. I’m taking my time with this stuff here. And I can’t forget Tulimyrsky, the behemoth EP that outclocks most band’s full-length efforts. The Metallica cover is unique, yet skippable, and the re-recorded songs are merely interesting takes on very early Moonsorrow songs. The remaining two tracks contain the 30-minute title track which has some of the rawest and fastest parts the band has written. Another epic ending stays with me for hours afterwards and the cover, Back To North lies next to Non Serviam as some of my favorite cover songs ever.

And let’s not forget, on top of this gush-fest of a post, that their last two albums are easily among the best albums of the 2000s, if not beyond. But, if you’re quick to mock my late arrival to the game, I’ll share with you this final point. At 41 years old, I’m living through a renaissance of incredible music. I’ve somehow managed to find the best band EVAR, after being an enormous metal fan for 30 years. And as my playlist is 99% Moonsorrow this past month, it’s the most exciting time I’ve experience in music since discovering bands like Opeth in 1996, or Slayer and Metallica almost a decade prior. And unlike those bands at the time, these Finnish geniuses have an entire catalog of awesomeness to appreciate!

TL;DR – Moonsorrow is the greatest band ever. Just go listen.